#Wonder woman 1984 movie#

The composer managed to create some memorable tunes that played over some of the film's best moments. One of the most memorable aspects of Wonder Woman was the score, which was composed by Rupert Gregson-Williams. Hans Zimmer's Score Is Better Than The Original Film's Patty Jenkins had to work hard to top her efforts on Wonder Woman, and she certainly does so in the action department.

The final fight between Diana and Cheetah is also a sight to behold and feels a bit more controlled than the formerвЂ™s fight with Ares (more on that later). This could be Diana swinging across the mall using her lasso or when she shimmies around and under cars during the exciting chase in Egypt. The filmmaker is especially skilled at utilizing the environment during fight sequences. The mall sequence, which sees Diana take on a group of robbers, starts things off with a bang and shows off JenkinsвЂ™ creativity. In crafting the sequel, Jenkins clearly wanted to up the ante, and she ultimately created some pretty elaborate sequences. Admittedly, due to the structure of Wonder Woman 1984, the action sequences seem a bit more scattered, yet they actually manage to deliver on a greater level.

And of course, thereвЂ™s the iconic No ManвЂ™s Land sequence, which unbelievably received pushback in the beginning. Scenes like the fight between the Amazons and the German soldiers and the battle in the town of Veld are still amazing. Patty Jenkins gave us plenty of thrills through the action sequences featured in Wonder Woman. Wonder Woman 1984 Delivers Better Action Sequences Cheetah and Lord in no way break the mold when it comes to superhero villains, but theyвЂ™re certainly more fascinating than their predecessors. And while it may seem a bit clichГ©, the fatherhood component was an unexpected and interesting aspect of his arc. Pedro PascalвЂ™s Maxwell Lord, a failed businessman who also seeks power, is also relatable, as we understand that his desire for power stems from a poverty-stricken life filled with ridicule. As a result, she tragically becomes the antithesis to ex-friend Diana and by the end of the film, appears to still crave power. Maxwell Lord and Barbara Minerva, on the other hand, have clear arcs and, while a few more scenes with them wouldnвЂ™t have hurt, they both get their due.Д«arbara Minerva, played perfectly by Kristen Wiig, begins as a kind social outcast before transforming into a cold and powerful being who struggles to hold onto the abilities sheвЂ™s gained. All three characters had specific roles they were meant to play and did so effectively, yet their parts didnвЂ™t allow them to get much character development. The 2017 film saw Diana go up against three big bads in Ares, Doctor Poison and General Ludendorff.

ThereвЂ™s a lot to love about Wonder Woman 1984, but two of the best parts of the film are easily its antagonists вЂ“ Barbara Minerva/Cheetah and Maxwell Lord. It may even have been enough to tempt some people back to the cinema, even during a pandemic.Cheetah And Maxwell Lord Are Much Better Villains ItвЂ™s made for the big screen, and in normal times, it probably would have done reasonably well at the box offices. Where Marvel can skip between genres with ease, DCвЂ™s attempts to do the same seem disjointed вЂ“ bogged down by the gritty template set by Christopher NolanвЂ™s Dark Knight, and devoid of the levity and humour that are an important part of the formula.Дespite those flaws, this is a visually arresting and fun way to spend a couple of hours вЂ“ itвЂ™s got the high-energy fight scenes, and a soaring score by the legendary Hans Zimmer.

#Wonder woman 1984 movie#

The end result is a movie where the tone feels slightly off вЂ“ not only in terms of current events (the world has changed a fair bit since its originally planned release date), but also when compared to the other titles it shares characters and a universe with. But if thereвЂ™s an overriding moral message to take from the movie, itвЂ™s a repudiation of the rampant consumerism that defined the decade вЂ“ greed is bad, weвЂ™re told, by the end. The plot is also a grab-bag of 80s stereotypes: thereвЂ™s a Cold War missile strike, a romcom makeover, some light body swap comedy and even an outfit selection montage.